Services
Live Performance Filming
One take, done right: multi-camera coverage, synced audio, fast turnaround.
In short
Live performance filming captures a musical performance with multiple cameras, synchronised to a professional audio recording. Because there is no second take, camera positions, lighting and audio sync are planned before the performance starts. Tugi has worked as cinematographer and editor on live sessions and concert films for artists including Ozbi.
Live work differs from every other job in one way: there is no second take. So the entire job is built before the stage lights come up — how many cameras, where they look, which instrument is caught in which frame, and how the audio locks to picture. Every decision made after the performance starts is a shot already lost.
I film live sessions, concerts, studio performances and acoustic recordings. Coverage is multi-camera, and the sound team's multitrack recording is locked to picture with timecode or a clap sync. The edit follows the energy of the performance — cut rhythm is built to the music, not applied at random.
Ozbi's "Sana Sormam" and "Bu Nasıl Sevda" performances were shot and cut this way; both are viewable on Vimeo.
Scope
| Formats | Live sessions, concerts, studio performances, acoustic recordings, festival coverage |
|---|---|
| Camera setup | Multi-camera (typically 2–5), combining locked-off and moving coverage |
| Audio | Timecode or clap sync to the sound team's multitrack; final sync after the mix |
| Delivery | Full-length performance plus short cutdowns for social |
| Critical constraint | No reshoot — camera plan and backup routine are locked before the show |
How it works
1. Stage and venue recce
Venue, stage size, lighting conditions and audience layout are assessed. Camera angles are drawn from that.
2. Sync agreement with the sound team
Timecode versus clap, and the delivery format of the recording, are agreed before the day.
3. The shoot
Multi-camera capture. Cards are verified into backups between sets, not after load-out.
4. Sync and edit
All angles are synced on one timeline and the edit is cut to the rhythm of the music.
5. Colour and delivery
Stage lighting is corrected for skin tone and balance, then the full version and social cutdowns are delivered.
Related work
Frequently asked questions
How many cameras do you use?
A typical live session runs 2–5 cameras. The number depends on stage size, instrument count and budget. Fewer cameras still work, but they reduce your cutting options.
Do you record the audio as well?
Audio is usually recorded by the artist's sound team; I cover picture and handle the sync. If there is no sound team, I can point you to one.
How long does a concert film take to deliver?
A multi-camera live session is typically delivered 1–3 weeks after the shoot. A short teaser cut for social can come earlier.
Do you cover festivals or multi-artist events?
Yes. Multi-artist events are delivered per artist, with crew and card management planned accordingly.