Services
DIT and On-Set Data Management
A card lost on set is a shooting day that cannot be reshot.
In short
A DIT (digital imaging technician) is responsible for the technical safety and visual consistency of footage captured on set. The role covers checksum-verified backups, media organisation, on-set colour management and clean handover to post-production. Tugi has worked as a DIT across film, television and commercial productions in Turkey, with credits listed on IMDb.
The DIT is the invisible position carrying the most expensive risk on set. Measured against the cost of a single commercial shooting day, one card formatted without verification erases the entire day. So the job is not "copying files" — it is proving the copy is correct at bit level.
On set that means: at least two checksum-verified copies of every card, a verification report before any card is formatted, a consistent folder and naming structure, on-set colour management, and dailies when required. Handover to post is organised so the edit can start on day one.
This experience feeds directly into the production and colour services: capture format, colour profile and workflow decisions get made while the shoot is being planned, not on the day.
Scope
| Backup | At least two checksum-verified copies per card; no card is formatted without a verification report |
|---|---|
| Organisation | Consistent folder structure and naming by shoot day, camera and card |
| Colour management | On-set LUTs, monitor calibration, consistency between capture and post |
| Dailies | Viewing copies and transcodes on request |
| Experience | Film, television and commercial productions in Turkey — credits on IMDb |
How it works
1. Pre-production workflow plan
Camera, capture format, card count and storage requirements are calculated; folder and naming standards are set.
2. On-set backup
Every card is copied to two separate destinations with checksum verification. Nothing is formatted before verification completes.
3. Colour management
LUTs are applied to on-set monitors and the cinematographer's intent is recorded so it survives into post.
4. Reporting
An end-of-day report covering cards, runtime and verification status goes to the producer.
5. Handover to post
Media is delivered organised so the edit can begin immediately.
Related work
Frequently asked questions
What exactly does a DIT do?
A DIT is responsible for the safety and technical quality of digital footage on set: verified backups, media organisation, on-set colour management and clean handover to post. It is distinct from the cinematographer's role — the DIT manages the data and technical integrity of the image, not the framing.
Do small-budget projects need a DIT?
The smaller the budget, the higher the risk, because the ability to reshoot shrinks too. A small project may not need a full-day DIT, but it does need a verified backup workflow that is actually followed.
How many backup copies are made?
As standard, at least two checksum-verified copies to separate physical destinations. On critical projects a third copy or off-set transfer is planned.
Where can I see your credits?
Professional credits are listed on the IMDb profile. Project-specific references are available on request.